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Taylor Swift remains silent as Doxx and Harass Music Critic fans test “folklore”



Tthe call started around 2 in the morning – an hour later fork a review of Taylor Swift’s eighth album, editor-in-chief of Jillian Mapes, folklore, published on the web. It was mostly a positive overview. However, it was not positive enough for a certain subgroup of fans who began to use some of the dirtiest and most dangerous tactics of the Internet to harass a writer who dared to despise his queen’s lack of praise.

Mapes’ uniform review deftly and deftly expressed folklorestrengths and weaknesses – and given forkHistorical skepticism about popular artists could also be a piece of enthusiasm.

However, certain lines did not fit well with the worst Swift fans. More importantly, the 8.0 percent score that accompanied Mapes̵

7; review – a metric determined not by reviewers but from multi-employee ratings – threatened to withdraw the album’s overall metacritical score.

That seems to be an unacceptable insult.

Various tweets, some of which have now been removed or removed and some of which still remain, included the Maps address and old and current phone numbers. Some of them contained photos of Mapes and even her home. Users “joked” about burning the house. Others posted screenshots of Halsey’s tweet, which responded to a bad rating earlier this year – in which the singer wrote: “the basement may launch p * tchfork, already from collapse.” Halsey erased the tweet at a time when he realized Pitchfork was in facts exhausted One World Trade Center.

A Swift representative did not respond to more requests for comments.

Despite the persistence of these fans, they are interested in the fairness and quality of the reviews folklore receives, they really seem to be fixed on the Metacritic score in the album. In particular, many lamented the possibility folklore may drop below 90. At the time of writing, the album has a Metascore of 89.

Music stans have begun to use elaborate methods to promote new releases of their favorite artists in recent years. They coordinate streaming parties and create hourly playlists and raise money to buy digital copies of new releases for as many fans as possible. All of this aims to improve the position of album and song charts by listening to as many hours as possible on as many platforms as possible.

But when targeting journalists like this, some fans have reached a dangerous extreme. And perhaps more importantly, this is not the first time that Swift’s most ardent fans have used the threats of doxxing and death to punish people they believe have harmed her.

Last fall, after Swift urged her followers to “inform Scott Borchett and Scooter Braun of how you were feeling” about their efforts to prevent her from using and performing old hits, her fans harassed both men.




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